September 3, 2020

Are black holes hot

by Admin

Southwark Playhouse presents a year-round programme of plays and musicals by the best new and emerging theatre companies and practitioners. Costume Supervisor – Lorna Sherry Yet in the second half, there are two brief scenes at a stake-out, where two of the cops are allowed quieter, more reflective moments that allow us to believe them as characters to care what they said. It tries to explore the world of Chicago policing in 1957: “a pressure cooker police precinct office in which four cops of different ages, classes and races struggle to work as a team”(director’s programme notes). Set Design Assistant – Jeremy Daker Tony Tortora Andy Jordan Productions and Pluto Productions Southwark Playhouse 15 January to 1 February 2020. Read the programme and you’ll come away with the impression that the intent was to focus on the “characters and their inter-personal struggles”. ( Log Out /  Four officers are assigned to the operation, all coming from different backgrounds and bringing their own life experience into play. As I have intimated, the play is directed with tremendous enthusiasm by Andy Jordan, though the result is often very loud, often lacking light and shade and variety of pace. The composite set is the work of Anthony Lamble who has succeeded in using the space effectively. Rosey, being black in 1950s Chicago, is the butt of much of Stan’s venom. And as the core team realises what’s going on, they start to suspect each other, each positing their theories as to why Eulee, Stan, Rosey or Foxey could be the mole. On paper Cops sounds like a strong proposition. The Civil Rights movement. Foxy (Jack Flammiger), the young officer who loves to sing Elvis and provoke his colleagues, is so convincingly obnoxious it set my teeth on edge, so this isn’t a play that has rose tinted views about the liberality of youth either. Paul “Eulee” Ulasiewicz (James Sobol Kelly), a 50-something widower who cares for his elderly father and doesn’t have much of a personal life, leads a team of mismatched cops who are trying to catch a local mobster: Helping out Eulee’s team on stakeouts is Irishman Joseph Hurley (Ben Keaton), a cop perceived to be so stupid that no one wants him on their team. Cops, a new play by Tony Tortora, focuses on personal conflicts and professional unrests. Recommended for ages 15+. A promising play, undermined by its slow pace and an over-reliance on clichés, but with a good cast to keep it ticking over. Tony Tortora's new play is inspired by real-life instances of Mob violence, and Chicago policing, in the 1950s. Or maybe that should be 3 men, I don’t think we get to know Rosey and his back story that well. Daniel Francis Watch the promo video and you’ll assume this is some kind of contemporary theatrical take on 1950’s police procedurals (such as Dragnet), where the emphasis is more on the plot and catching bad guys. Their task is simple; grab the witness before the mob stop him from talking. He finds fault with everything and appears so stressed that one wonders why he has not had several heart attacks. ( Log Out /  Cops, Southwark Playhouse, 77-85 Newington Causeway, London , SE1 6BD. The production is based on true events and aims to capture the tension and pace of a changing world. But the racial issue isn’t developed beyond the odd comment and the mention of Civil Rights activists Rosa Parks and Martin Luther King. Cops doesn’t fit neatly into any specific category. He continually shouts but copes beautifully with a quiet monologue in Act Two in which he reminisces about life in the police when he joined 50 years previously. 19 January 2020 The cops in question share the stage for the most part and bounce off each other as we learn something of their lives and personalities, including the job in hand. Jack Flammiger and Roger Alborough pictured. It certainly has its moments and is authentically styled to represent the period. Southwark Playhouse‘s studio theatre provides the venue, adding a frisson of expectation as the audience get up close and personal. Race riots. But COPS the play? Tony Tortora He is also responsible for the period costumes and 1950s furniture and props which greatly aid the atmosphere as do Robbie Butler’s lighting and D J Johnson’s fight direction. It certainly has its moments and is authentically styled to represent the period. Click to share on Twitter (Opens in new window), Click to share on Tumblr (Opens in new window), Click to share on Pinterest (Opens in new window), Click to share on Facebook (Opens in new window), Click to email this to a friend (Opens in new window), Click to share on Skype (Opens in new window), Click to share on LinkedIn (Opens in new window), Click to share on WhatsApp (Opens in new window), New immersive horror experience, Variant 31 comes to London, Ian Mckellen In Shakespeare, Tolkien, Others & You at the Park Theatre, Katy Wix and Lee Mack reunite in The Miser. Photo: Robert Day. Can you help support us to do even more? Recommended to those who enjoy seeing actors physically working hard at close quarters, but at two hours twenty minutes the play is at least 30 minutes too long. Outside their office the world is changing. COPS, Southwark Playhouse. The Reviews Hub - London 19/01/2020. 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