September 3, 2020

two swans meaning

by Admin

In the chaos, Nina hits her head, knocking herself out, which is the reason she’s late to the studio the next day. Of course, Nina’s night out with Lily ends up being a traumatizing experience (due to the drugs, memory loss, and unscrupulous men), with Nina rushing out of the club, at her most vulnerable point in the entire film. Nina is driven to succeed not only because she wants to reward Thomas for his faith in her, but because she knows he could strip the role from her at any time. This paper is a visual analysis … The tragedy of Nina, and of many young performers and athletes, is that perfection in one area of life has led to sacrifices in many of the others. And, to my knowledge, she didn’t have the benefit of a malevolent entity residing within her. Usually dressed in black and sporting dark eye shadow, Lily’s attire stands in contrast to Nina’s white, more conservative clothing. The film opens with a dream, and it becomes clear that her dream life is contiguous with her waking one. Nina’s mother, Erica (Barbara Hershey), is a former ballerina whose career was cut short when she got pregnant. As the story of Swan Lake goes, the White Swan and the Swan King fall in love, but the Black Swan manages to trick the King into believing that she is the White Swan, and they fall in love instead. The Joker’s immorality highlights Batman’s morality, as well as Batman’s lack of immorality – and vice versa. However, Lily’s presence means that Thomas has a second option for the Swan Queen, should he get frustrated enough with Nina’s shortcomings. At the end of the act, they erupt into a frenzied cheer, with a voracious hunger for more of the fantastic Black Swan. While the nature of the Black Swan may be up for debate, there’s no question about what it offers. To say Nina is aware of this would be an understatement. Dec. 20, 2010— -- Black Swan, a new psycho-drama anchored in the competitive world of ballet, is getting as much analysis on the psychiatrist's couch as it is Oscar buzz. The way Portman portrays Nina – childlike, timid, her voice rarely rising above a whisper – not only conveys why Nina is the perfect White Swan, but heightens the terror of everything that happens to her, because it doesn’t seem like she’s equipped to deal with any of it. She fascinates Nina, not only as a rival but even as a role model. I was reminded also of Aronofsky's brilliant debut with "Pi" (1998), about a man driven mad by his quest for the universal mathematical language. “Swan Lake” requires the lead to play opposite roles. If Nina didn’t already sense the Black Swan’s presence, she certainly does after it projects itself onto somebody. For Nina, there’s no relief from the role’s pressure when she leaves the studio and goes home. Nina is aware of this. One of the most effective tools a filmmaker can employ in establishing character is duality. Dancing with a manic energy and little of the taciturn precision that inundated her performance as the White Swan (and as a dancer throughout her career), Nina casts a spell over the entire audience. In this respect, the Black Swan was Nina’s greatest adversary all along -- not Lily, Erica, or Thomas -- because its aim was always to out-do her. The Black Swan makes its presence known to Nina throughout the film. Nina dances in a company at New York's Lincoln Center, ruled by the autocratic Thomas Leroy (Vincent Cassel). It didn’t care that Nina was struggling to master the role of the Swan Queen and needed help. Lily is full of passion. It’s during Act Two that Nina must take the stage as the Black Swan. Darren Aronofsky’s Black Swan is a film rife with duality. It’s fitting, because Nina seems like the kind of person who would never get a tattoo under any circumstances. In both, Aronofsky employed a handheld camera that not only lends a rawness and reality to the scenes but also serves to visually link two disparate performers and two disparate performances. Erica is devastated by the changes in her daughter. Soon, Nina doesn’t see Lily at all, but only herself, as the Black Swan projects onto Lily. All the Black Swan wanted was its release from the recesses of Nina’s mind and body, and to put on one hell of a performance. Cassel’s greatest accomplishment in the role is the sense of ego he imbues Thomas with. Nina seems to develop the illness due to the comptetion she faces from her mother, her feelings of inferiority from Lily and her director’s sexual advances towards her alongside her eating disorders and anxiety. This perfection rests in how effectively her personality is conveyed to the audience through her instinctual, technique-eschewed movements. Her greatest fear is that she’ll lose the role to Lily. The repercussions of this event manifest themselves the next day when Nina discovers that Lily is gone and, worse yet, that she’s late for practice at the studio. Her mother, Erica (Barbara Hershey), was a dancer once, and now dedicates her life to her daughter's career. Darren Aronofsky's “Black Swan” is a full-bore melodrama, told with passionate intensity, gloriously and darkly absurd. Goosebumps soon start rippling underneath Nina’s skin, feathers appearing ready to burst through her flesh at any second, and her legs twist and snap painfully into appendages more closely resembling those of a swan. What makes matters worse is that Lily almost seems to be waiting for Nina to fail. Now living vicariously through Nina, Erica obsesses over her daughter’s every move and accepts nothing short of perfection. They start kissing and stripping off each other’s clothing. 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