September 3, 2020

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223,067,732 stock photos, vectors and videos, https://www.alamy.com/licenses-and-pricing/?v=1, https://www.alamy.com/stock-photo-the-exhibition-degenerate-art-in-berlin-1938-48343977.html. So the people can see and understand. The first room contained works considered demeaning of religion; the second featured works by Jewish artists in particular; the third contained works deemed insulting to the women, soldiers and farmers of Germany. The German-Jewish collector Erich Alport lent to the exhibition the portrait Young Man With a Coloured Scarf, painted by Helmut Kolle in 1930. Photographs of the exhibitions had been made, as well as a catalogue, produced for the Berlin show, which accompanied the exhibition as it travelled. You may be trying to access this site from a secured browser on the server. 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Photograph: bpk, Berlin, Art Resource, NY/bpk / Staatsbibliothek zu Berlin [17] Cornelius Gurlitt left the collection to the Museum of Fine Arts Bern in Switzerland which in November 2017 exhibited a number of them in an exhibition entitled "Gurlitt: Status Report: Degenerate Art - Confiscated and Sold". The regime called this art "degenerate.". Sending mail failed please try again later, January 30, 1933 – The Nazi Rise to Power Through the Eyes of Sebastian Haffner, The Aliyah of Central European Jews (the “Yekkim”) and the “German Immigrants’ Association News”, “Transfer Agreement” and the Boycott of German Goods, Termination of Employment Letter to Ladislaus Farkas from Fritz Haber, “Faust” by Johann Wolfgang von Goethe and its Translation into Hebrew, German Opposition to Hitler and the Assassination Attempt of July 20, 1944, The Composer Paul Ben-Chaim and his Journey from Germany to the Middle East, German Literature Abroad and Dutch Publisher Allert de Lange, The Great German Pogrom on November 9, 1938 – Kristallnacht, Else Lasker-Schüler’s Drawing: “The Banished Poet”, 1935-1942. [3], In 1991, the Los Angeles County Museum of Art staged a forensic reproduction of the exhibition. "[1] Almost 5,000 were burned on 20 March 1939. He furiously ordered the removal of many examples of German avant-garde art. The Nazis also claimed that the ambiguity of modern art contained Jewish and Communist influences that could “endanger public security and order.” They claimed that modern art conspired to weaken German society with “cultural Bolshevism.” According to Nazi ideology, only criminal minds could be capable of creating such so-called harmful art. Please enable scripts and reload this page. The 1938 show deliberately coincided with the first anniversary of the Nazis’ propaganda exhibition Entartete Kunst (Degenerate Art), in which 650 works confiscated from German museums were put on display in Munich to highlight to ordinary Germans the necessity of ridding their culture of destructive forces. It has previously been bought for a multiple re-use license which is still valid. In July 1937, the Nazis staged their infamous Degenerate Art exhibition at the Haus der Deutsche Kunst (known today as the Haus der Kunst) in Munich. 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