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Dopo che Campi lasciò Cremona, Sofonisba proseguì gli studi presso Bernardino Gatti. [email protected] Oggi è considerata una delle pittrici più influenti della prima età moderna. [12] Amilcare Anguissola, inspired by Baldassare Castiglione's book Il Cortigiano, encouraged all his daughters (Sofonisba, Elena, Lucia, Europa, Minerva and Anna Maria) to cultivate and perfect their talents. The Duke of Alba recommended Sonfonisba to King Philip ll of Spain. Per i due anni successivi, Sofonisba studiò informalmente con Michelangelo, che le offrì la sua guida e le diede i suoi quaderni da cui attingere lo stile. Post was not sent - check your email addresses! [25] Excerpts of the advice she gave him about painting survive from this visit,[27] and he was said to have claimed that their conversation taught him more about the "true principles" of painting than anything else in his life. Portrait of Bianca Ponzoni Anguissola, the artist's mother, List of paintings by Sofonisba Anguissola, "Anguissola – EFL – Società Storica Lombarda", "Sofonisba Anguissola | Biography, Art, & Facts", "Life and Works of Sofonisba Anguissola, Noblewoman, Portraitist of Philip II", "Sofonisba Anguissola: Late Renaissance | Unspoken Artists", "Planetary Names: Crater, craters: Anguissola on Mercury", Self-portrait at the Easel Painting a Devotional Panel, Portrait of Juana of Austria and a Young Girl, Infanta Isabella Clara Eugenia and Infanta Catherine Michelle, Portrait of the Infanta Isabella Clara Eugenia, https://en.wikipedia.org/w/index.php?title=Sofonisba_Anguissola&oldid=982502455, Wikipedia articles incorporating a citation from EB9, Wikipedia articles incorporating a citation from the 1911 Encyclopaedia Britannica with Wikisource reference, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat identifiers, Creative Commons Attribution-ShareAlike License. Rather, we have asked the wrong questions of it and judged it according to criteria that denigrate what she was trying to achieve. At this point, Amilcare took an extremely unusual decision. 1558. battle, the battle of the Trebbia, between Romans and Carthaginians, and several members of the Anguissola family were named after ancient Carthaginian historical characters: Amilcarenamed his first … La famiglia viveva vicino al luogo della battaglia della Trebbia, una battaglia storica tra Romani e Cartaginesi. He was a Genoese nobleman and a captain. Suo marito morì nel 1579. L'idea iniziale non fu mai quella di far diventare Anguissola un’artista di professione. This new direction is reflected in Lucia, Minerva and Europa Anguissola Playing Chess (1555; Poznań, N. [7] This “artificial fire” was the so-called Greek fire, an incendiary weapon developed in the late 7th century, which was responsible for many key Byzantine military victories, most notably the salvation of Constantinople from two Arab sieges, thus securing the Empire's survival. Durante i suoi 14 anni di permanenza presso la corte di Spagna, guidò la formazione artistica della regina Elisabetta e influenzò l'arte delle figlie della regina. Anguissola’s Portrait of Anna of Austria of 1573 was one of her more important commissions. Painting continued, but only as a pastime, as befitted a wealthy noblewoman. È particolarmente nota per i suoi autoritratti e quadri di famiglia. [11] She received a royal pension of 100 ducats that enabled her to continue working and tutoring would-be painters. 28 Little Russell Street Divenne piuttosto famosa, e molti artisti vennero a visitarla e ad imparare da lei. Sofonisba Anguissola was born in Cremona, Lombardy in 1532, the oldest of seven children, six of whom were girls. At the Spanish court she painted formal state portraits in the prevailing official style, as one of the first, and most successful, of the relatively few female court painters. Ispirato dalla lettura de Il Cortigiano di Baldassare Castiglione, un libro sulle buone maniere nella vita di corte, Amilcare Anguissola spronò le sue sei figlie a seguire il loro talento e le sostenne nel perseguire degli studi a tutto tondo. According to these narratives, Sofonisba’s art was always a form of accomplishment. The language of this praise was remarkably consistent. Sofonisba initially showed Michelangelo a drawing of laughing girl, but the painter challenged her to draw a weeping boy, a subject which he felt would be more challenging. Making a highly successful career for yourself as a woman artist in the Renaissance was an extraordinary if not unique feat. The value placed on Sofonisba’s work was inextricable from the fact of its creation by a member of the lesser sex. American artist Charles Willson Peale (1741–1827) named his daughter Sophonisba Angusciola (1786–1859; married name Sellers). The family home in Cremona became a showcase for her talents. Report Abuse|Print Page|Powered By Google Sites, was one of the best known female painter of the Renaissance period. Four of the sisters (Elena, Lucia, Europa and Anna Maria) became painters, but Sofonisba was by far the most accomplished and renowned and taught her younger siblings. With the gifts and a dowry of 12,000 scudi she earned along with her salary as court painter and lady-in-waiting to the queen, she amassed an admirable return from her craft. A l'ha travajà an Spagna për ël Re Filip II ëd Spagna. [11] Her father, Amilcare Anguissola, was a member of the Cremonese nobility, and her mother, Bianca Ponzone, was also of noble background. 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