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Cornette de Saint Cyr Paris (39.4 x 16.5 cm.) Artwork page for ‘1935 (white relief)’, Ben Nicholson OM, 1935 on display at Tate Britain. Brumwell also acquired a larger landscape-format work by Nicholson, including 1935 (white relief) which was exhibited at the 7 & 5 society exhibition at the Zwemmer Gallery in October 1935 and Cubism and Abstract Art at the Museum of Modern Art in New York in 1936. Oct 07,2020 By October 1934, Nicholson and Hepworth had married and Hepworth had given birth to triplets. Summary. Arts & Entertainment > Hobbies & Creative Arts > Artwork, 1935 (white relief), 1935 by Ben Nicholson (1894-1982, United Kingdom) | | WahooArt.com, http://WahooArt.com/Art.nsf/O/AQSG7C/$File/Ben-Nicholson-Om-1935-white-relief-.jpg. Follow lot. See, for instance, White Relief (1935, Tate Collection Another contemporary concern that Porteus’s words highlight is that of the possibilities of health and societal nourishment within the new Modern architecture. S.J. Oct 06, 2020, Sotheby's Hong Kong Oct 10,2020 1935 (white relief) signed and dated 'Ben Nicholson 1935' (on the reverse) oil on carved board, relief 15½ x 6½ in. One is immediately conscious that this circle has pierced the lower plane without having touched it ... and this creates space. In this light, the ‘White Reliefs’ (all produced between 1934 and 1937) were Nicholson’s zenith. p.15; Paul Nash, ‘Ben Nicholson's Carved Reliefs’ in Architectural Review, LXXVIII, 1935, p.143; J. M. Richards, ‘Ben Nicholson at the Lefevre’ in Axis, IV, November 1935, pp.21–4; John Rothenstein, Modern English Painters: Lewis to Moore, 1956, p.280, repr. Arp's reliefs come from some almost literary poetic idea & for this reason he could conceive them & have someone else carve them out? Dimension 54.5 X 80 CM Media OIL CARVED AND BUILT UP WOOD Accession number P31. See details. While working on a painting, part of the thick white ground chipped off, leaving two distinct layers. The following four lots were the property of the artist Arthur Jackson and have never previously been offered to the market. Contact us Contact Client Service [email protected]. Acquired by Arthur Jackson direct from the artist circa 1935, and by descent. 30, as '1934 (white relief)', illustrated. The first relief painted completely in white was executed in March 1934, the month in which he exhibited a white relief ‘2 circles’ at the 7&5 Society exhibition at the Leicester Galleries. National Galleries of Scotland (United Kingdom), Artworks in museum National Galleries of Scotland (United Kingdom), Abbot Hall Art Gallery (Kendal, Indonesia), Arts Council Collection (London, United Kingdom), Bolton Museum And Art Gallery (Bolton, United Kingdom), Bristol Museum - Art Gallery (Bristol, United Kingdom), British Council Collection (London, United Kingdom), Ferens Art Gallery (Kingston Upon Hull, United Kingdom), Glasgow Museums Resource Centre (United Kingdom), Herbert Art Gallery - Museum (Coventry, United Kingdom), Jerwood Gallery (Hastings, United Kingdom), Kettle s Yard (Cambridge, United Kingdom), Laing Art Gallery (Newcastle Upon Tyne, United Kingdom), National Galleries Of Scotland (United Kingdom), National Portrait Gallery (United States), New Walk Museum - Art Gallery (Leicester, United Kingdom), Nottingham Castle Museum And Art Gallery (Nottingham, United Kingdom), Pallant House Gallery (Chichester, United Kingdom), Southampton City Art Gallery (United Kingdom), Swindon Art Gallery (Swindon, United Kingdom), Black Elegy Grey and Red Relief (installation), Composition No. Bankside | London | UK $39,950 - 58,350 High resolution image available off-line. 1935 (white relief) Price realised. 40-41). British Council London, United Kingdom ‘It is, you might say, simply a lavatory artform, a clean antiseptic bathroom art which extracts from their functions the splash-board and the lavatory basin and sets them sleeping and dreaming together in a world whose objects are forbidden to have associations.’ According to family history, the acquisition of the present work from Ben Nicholson was paid for over a number of monthly instalments while each artist was similarly impoverished. [3] This delineation captures something of the divide that existed between artists such as Nicholson who sought the ‘Constructive’, and those of a Surrealist persuasion. The interest aroused by this new development was reflected in the articles listed above. Ben Nicholson's first abstract relief was executed in December 1933, his first strictly geometrical ‘white reliefs’ in 1934, e.g. 1935 (white relief) Ben Nicholson. New … Licensing images supports Tate. Est. oil on carved board, relief Description. On 3 April [1934] she checked that Ben was 'working at supply' and admonished him to 'hold the thought about the rent for this place'. Nicholson also accepted that the Russian Suprematist Kasimir Malevich had been a 'considerable force' behind the development of his art during this period, however, there is also a deep fascination for the mystical connotations of shapes and forms. The early years of the 1930s saw an unprecedented emergence of a move towards pure abstraction in avant-garde artists across Western Europe and Ben Nicholson and Barbara Hepworth were at the forefront of this movement in Britain. That this circle has pierced the lower plane without having touched it... and this creates space Arthur Jackson from..., White relief ) ', illustrated, pages not numbered, Marlborough Fine,... Joan Miró in Paris ; repr p. 136 1965, no has pierced the lower plane without touched. Unit one, March - April 1965, no circle Unit one, March - April 1965, no himself. 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