September 3, 2020

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So of course, I bought the album the minute it came out and listened to it daily. I guess I would have loved to read a memoir by her, not this guy telling you what she is like. I am a fan of Joni Mitchell, and while I appreciated David Yaffee's focus on her music, this biography was a slog. She was an image of a kind of female power that seemed possible to me. So is the author, and he's done a nice job talking to his subject, her various lovers and friends, and other significant people in her life. It was interesting to hear about the (supposed or assumed) stories that inspired the individual songs, what was going on in Joni’s life at the time that each album was written, and the professional/business aspects of her care. She was just absolutely flyin’ high throughout the decade as a truly important, and, as it turned out much later, tremendously influential artist. What a remarkable lady! I guess I would have loved to read a memoir by her, not this guy telling you what she is like. This a remarkable biography of the iconic Joni Mitchell. I enjoy reading biographi. Jaffe shows wide knowledge of music in a 30-40 year period inclusive of pop, folk and jazz. I was an off and on student at the University of Michigan in Ann Arbor, dropping out and then enrolling again. For fans of Joni Mitchell (and I'm a huge one), this is probably about as good as it's going to get. And you could hear in pin drop, in a crowd of 15,000. There were romances with many musicians, Leonard Cohen, David Crosby, Graham Nash, and James Taylor to name a few during the earlier years. For fans of Joni Mitchell (and I'm a huge one), this is probably about as good as it's going to get. I was hesitant to read it, because someone remarked that it changed the way they thought about her. Goodreads helps you keep track of books you want to read. Considered by ROLLING STONE magazine to be one of the best singer-songwriters of our time, she's also a painter who has put some of her works on her album covers. I don't mind that. Expect feeling a need to work your way carefully through Mitchell's catalogue while reading, and once you've finished this. She was at the height of her fame and beauty, and it simply was the greatest Concert I ever saw, hands down. David Yaffe's portrait of Joni starts out with a fantastic preface, in which he sets a mood of confession, friendship and poetic understanding between himself and his subject. I have enjoyed watching her go from flower child songwriter to jazz singer to crabby old opinionated powerful crone. I had the pleasure to see her in 1976 or so, Miles of Aisles or the Shadows and light Tour. I think music journalism is just not my thing. Though I genuinely enjoyed all of those records, even 1985’s oft-maligned Dog Eat Dog, none were revelatory in the way that Mitchell’s groundbreaking experimental LPs of the mid-to-late 70’s were: The Hissing of Summer Lawns, Hejira, Don Juan’s Reckless Daughter, and even the misunderstood-in-its-time Mingus (which has held up quite well and sounds really fresh today). Instead, I would recommend Girls Like Us that covers Carly Simon and Carol King as well. My husband can't stand the shrieking voice or the mopey lyrics but even he, as I read this book and played certain songs alongside it, had to concede that she was a force to be reckoned with. We’d love your help. I don't mind seeing her as more complex. I enjoy reading biographies and autobiographies about my music heroes (Graham Nash, Keith Richards, Eric Clapton, etc.) Welcome back. The text can be a slog at times. Granted, Joni Mitchell is an innovator who has lived the life of an artist, creating some enduring music, and this book is well written, but after a while Joni wears you down. My sister gave me Song to a Seagull when I was in high school and Joni Mitchell's albums--from Ladies of the Canyon through Hejira--lived with me from then through college and after. There were some great realizations for me, however. A must read for rabid fans. This is the most obvious benefit of travel. He gets deep in the weeds when discussing her later work, starting with Hejira. Although my oldest sister was a big fan of Joni Mitchell and played her records all the time while we were growing up, it wasn’t until Mitchell’s Wild Things Run Fast LP of 1982 that I became a genuine fan and immediately began amassing her old stuff. It offers little as clear as the cartographies of the heart that mark Blue and Hejira, nor The Hissing Of Summer Lawns' psychogeography of the modern city. 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